It was an onthefaceofit ordinary day at the office, housed in a mid-Victorian former Vicarage next to the imperturbable structure of St Mary's in the midst of the once bomb-strewn city, save for one factor. I was desperate not to receive an email or any other form of communication from a very dear friend.
I would usually delight in receiving a welcome salve from the onslaught of dreary, work-related, and largely estate-agent-generated virtual correspondence but any communication from this friend would likely result in all my plans for the forthcoming evening dissipating into smoke through the large settlement gaps in the first floor windows.
5.30pm. I'd made it without hiccup, all to do now was to drive about 10 miles West, pick up my companion and head back into town along the new super-fast, recently-decongested-after-a-shaming-from-Peter-Levy dual-carriageway. The doors opened at 6.30pm. I had no intentions of being unfashionably, and completely uncharacteristically, early so that left ample time to deconstruct, pick over and attentively analyse what had caused her idyllic, healthy, secure 3-year relationship to disintegrate less than 60 hours previous. We had it summarised in less than 45 minutes. He was mad!
That done, we jumped into my super-duper Saga-assisted Rover and soon found ourselves at the oddly-quiet oak doors of the City Hall. A brief chat with the amused attendants informed us that the Keane gig was at the Ice Arena. We almost tripped over ourselves to get away lest anyone should think we'd been serious about getting into the Jane MacDonald concert.
We'd missed the support groups but quickly found ourselves a cushty spot near the sound engineers, the best place for acoustics in any gig according to a former roadie that I once frequented. Suddenly the lights went out and a tangible thrill spread around the arena, heightened by the prolonged notes eminating from the stage. We'd made it, Tom Chaplin had made it out of rehab for his first gig of the band's tour after cancelling all their US dates earlier in the year and all was well. I hadn't anticipated they would open with 'Put It Behind You'. My heart was in my mouth and it had nothing to do with the emotive sounds emanating from the stage.
Have you ever listened, properly listened, to Keane lyrics? They are far too miserable for the elegant, melodic and occasionally funky tunes this bunch of twenty-something barely-shaving prodigies churn out and certainly not the fodder that a self-respecting bereavement counsellor would prescribe as therapeutic for a grieving client, let alone a close friend.
I thought I might be able to relax when Tom announced he was about to sing a cover. Scott Walker's ' The Sun Ain't Gonna Shine Any More' promptly struck up. I was all for throwing
myself off the Humber Bridge on the way home. I could hardly bring myself to look at my mate, but I did, and she was swaying and bopping, and displaying the staunchest of cute, perfectly-formed chins one could ever wish to behold. Sure, she got the references in the songs, who couldn't, sad songs blast at you from every angle when you least want them, but they were glancing off her much as rabid bats bother Lara Croft.
My city has it's historic and iconic buildings, it attracts contemporary culture but the most timeless, beautiful and enduring thing I encountered today was my slight, bruised friend's leviathan spirit.
This post has been submitted to the One Day In History project at www.historymatters.org.uk